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2016-17 / Cycle “The Stowaway” (Score of the Stowaway or Blind Compositions of Travel Sketches of the Imaginary Traveler)

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An interactive installation consisting of 33 poetic texts translated into Braille (for the blind, composed of combinations of 6 dots) and placed on musical staves as if they were notes. By running these strips through small music boxes, each “blind” letter receives its own sound. This creates an “invented genre” in the form of a collection of travel sketches translated into Braille – for the “stowaway.” The “transcripts” of the stowaway’s travel sketches, perforated in Braille, are passed through music boxes where each letter, depending on the position of the dots (the choreography of holes) on the musical staff, receives a musical notation, i.e. specific tones, translating into sound. Through this process arise the “blind compositions of travel sketches of the imaginary traveler” – a collection of poetry in a spatial installation of graphic sign, sound, movement, text, and subtext of an imaginary journey.​  /   Matea Šabić Sabljić

MATEA ŠABIĆ SABLJIĆ

 

 

STOWAWAY'S MUSICAL SCORE 

or BLIND COMPOSITIONS  

OF TRAVEL SHORTS

BY AN IMAGINARY TRAVELER

2016./2017.

 

 

As  „imagined genre“ in the form of collection of travellers sketches that are translated in the letter for blinds ie. for „blind traveller“. „Transcripts“  of travellers sketches of „Blind Traveller“ are perforated with letter for blind people, and are to be wriggled through maschine from music boxes, where each leter concerning  position of its dots ( choreogra- phy of holes) on musical stave gets music notations ie. certain tones - translated to a sound. With this proces are appearing „blind compositions of travellers sketches of imagined travaller“ as collection of poetry in space installation  of graphic sign, sound, movement end text, in subtext of imagined voyage.

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IE. it is collection of poetry that is made of sketches of imagined voyage of blind traveller (paper strips with text), projection of groundplan of 3 cargo ships, and 3 music boxes machines . It is consisted of 33 texts of imagined blind traveller that are written  with letters for blinds - for „blind traveller“ (Braill letter).. ( Playing with metaphore of blind traveller as someone who travels illegal, „hidden somewhere in the dark“. In Croatian language for stowaway  is used frase „Blind Traveller“  ( Blind - like that the passenger or traveller is the one who can not see, he can not see wher he is going). Refearing on that blindes with poet approach I m writing with letters of blind man, of one who can not see .. ) As the „blind letters“ ( from Braill letters) are consisted of  combination of 6 dots ( 2 colu- mns of 3),I put them on music stave treating them as notes. With that procedure every letter - with act of wriggleing through music box machine , ie. mini vergl.. got its sound. So, text is been read with and from the sound as musical composition, by „poetry machines“ so, text is been read with and from the sound as musical composition, by „poetry machines“ that are performing movement, lumino-cinetic, light   movement of letters ie. signs, ie. mobile poems, ambient ....

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Technical preparation of letters  is  performed in measures and ratios that were needed to get sound on music box machine, ie. for instrument to function. On each strip is one poem ie. composition. They are in average 2m long. with perforated dots that became holes - touchable dots that by their postion on the strip trigger sound. Each letter got its tone, and when visitor would remember them, he would read letters, words, meanings, poems, collection - by the tones : without speach. Music boxes machines as poets machines for reading - decoding of poetry without spoken articulation, ie. through translation of Latin letter into letter for blinds into note letters into tone articulattion. Work is treated as trptych. It is consisted from projection of groundplan of 3 cargoships on whose stern are installed 3 music box maschines. On the side are 33 travellers texts of „blind traveller“. Visitor chooses poem and wringles it through „poet machine for reading-de/coding“. With parallel activity of 3 visitors on 3 instruments in 3 projections of cargo ships we are getting partiture of random combination of mutual interweaving of letters, texts, tones, and rythms „tone sailing“ .  

Projections of 3 cargo ships are stylized and shematized and are leaving open association that they could be ships, rockets, windows of chatedral, belfry.. They ore marking place of searching: of travelling and hideing, of  light and dark, from first moving images and music boxes, to digital contemporarity where old new media are still having magic - from light on the  wall of cave and creation of artist to beat his fear and note down mark-trace - of traveller, travell, and  travelling. 

 

As the visitor approaches the work in order to read the score, the projection distorts over their body, which in turn makes them part of installation - entering the body of the projected ship, the medium of journey, the medium of the stowaway̕̕s hiding, or the stowaway him/herself reflected upon them. The light print of the cargo ship hauls the poetry of the imaginary stowaway through the engine leaving a mark in space and time.

 

Matea Šabić Sabljić

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Technique

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interactive mix media installation it consists of technical parts: projection  on the wall of variable dimensions  (depends about the space) 3 mini vergels - musical box machines  screwed on projection on the wall 3 mini microphones that go into musical boxes 1 pair of loudspeakers 33 paper strips  perforated with 33 travel shorts by an  imaginary traveler . Visitor use them to run  through music box machines so he or her could  ead and hear; interact  the travel shorts poetry  collection 33  white diode lights that go under paper strips  

                 

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Technical  equipment

 

1 projector

1 laptop that has inputs  for loudspeaker and microphone (I bring microphones and loudspeaker)

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Dimensions

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variable - If possible installation uses the whole space with projection about 1.5-3 m high and 33 poetry paper strips  placed  in 3 groups of 11 strips on the walls  around the space

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Exhibition of the work

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2017. gallery Otok, art workshop Lazareti, Dubrovnik (Stowaway̕s musical score) solo exhibition with Nives Sertić 2017.multimedia gallery Praktika, Split (Stowaway̕s musical score), solo exh. 2017. autonome culture center Abrašić, Mostar (Stowaway̕s musical score) solo   2016. gallery „Greta“, Zagreb,  „Travels, Timemachine“  solo exh. with N.Sertić

STOWAWAY̕̕S MUSICAL SCORE 

OR BLIND COMPOSITIONS

OF TRAVEL SHORTS

BY AN IMAGINARY TRAVELER

MATEA ŠABIĆ SABLJIĆ  2016. / 2017.

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This artistic triptych serves as an imaginary genre in form of a collection of travel shorts translated into Braille tactile writing system on punctured paper. It guides us into a stowaway̕̕s musical score which - running through music boxes where each letter based on the position of dots ( choreography of holes) on a musical sheet gaining musical notation, or certain tones - translates the letter into sound. This process produces blind compositions of travel shorts by an imaginary traveler in form of poetry collection in a spatial installation of visual signs, sound, movement, and text, subtext of an imaginary multimedia journey. The installation itself is composed out of a projected layout of technical drawings depicting 3 cargo ships carrying 3 music boxes, with 33 travel texts by a stowaway next to them. The exhibition visitor chooses a poem and runs it through a poem reading machine thereby interacting with the installation. With simultaneous actions by 3 visitors on three different instruments in 3 projected ships, a score composed of accidental combinations of an orchestra letters;  texts, tones and rhythm is achieved, an almost tonal navigation. The projections of  the 3 ships are stylized and schematized, leaving room for association, marking a place of search, voyage and hiding, light and dark, from the first moving images and music boxes, to digital contemporaneity where the old new media still hold their magic - from lights on a cave wall and the creations of artists in order to overcome fear and leave their mark of the traveler and the journey, that is life. As the visitor approaches the work in order to read the score, the projection distorts over their body, which in turn makes them part of installation - entering the body of the projected ship, the medium of journey, the medium of the stowaway̕̕s hiding, or the stowaway him/herself reflected upon them. The light print of the cargo ship hauls the poetry of the imaginary stowaway through the engine leaving a mark in space and time. Through this work, Matea Šabić Sabljić presents us with the opportunity to participate in the creation of a new artistic form , which produces sound through mechanical movement of music boxes which can only be seemingly controlled. By putting us in the center of the installation she gives us an illusion of controlling this multimdia journey, just as we often have the illusion of controlling our own path that is life. / Matea Šabić Sabljić, Natasha Kadin curator of multimedia gallery PRAKTIKA Split

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