A R G O N A U T A
ARGONAUTA
Matea ŠabiĆ SabljiĆ
transdisciplinary
visual artist

brodi/ona
metlice u brodice
solo exhibition
Art Workshop Lazareti Dubrovnik
Gallery Otok, Lađa x
25.11.-16.12.2022.
BRODI/ONA “BROOMS INTO BOATS”
Art Workshop Lazareti, Gallery “Otok” – Lađa X, Dubrovnik, 25.11.–16.12.2022
Performative Launching Action, Posat 10.12.2022
Intervention in the Maritime Museum Dubrovnik 10.–21.12.2022.
By owning, maintaining, and repairing an old wooden boat – a leut (2009–2019), I gathered knowledge and skills with the thought that one day I would build my own boat. In the shipyards I gained valuable experiences with different caulkers and craftsmen. There were wonderful people, but sometimes I encountered outdated attitudes, such as the well‑known saying that “a woman is bad luck on a ship”, or situations where the master, out of all tools, would hand me only a broom.
Thus, the broom actually provoked me – that is, inspired me – to truly and independently build my own boat, a fleet of small boats in honor of sea heroines who, despite prejudice and prohibitions, sailed the seas, built ships, and explored the marine world.
For the exhibition at Art Workshop Lazareti in Dubrovnik, I built a small boat out of brooms collected for this purpose from women and men of Dubrovnik, guests, and friends. As part of the performative launching action, we launched the boat on 10.12.2022 from the Posat slipway. The godmother, cruise ship captain Serena Melani, named it in honor of the lighthouse keeper from Daksa, Eudoksija Kustrić (1901). In wind and rain, the navigators – Ivona Vlašić, Ivana Pegan, Ana Marija Obradović, Natalie Šimunović, Eta Kaćić, Andrea Brajović, and I – launched the boat into the sea, after which I sailed a circle through the harbor.
Behind the broom lies great historical, economic, and cultural significance. It has always been an irreplaceable working tool, a symbol mainly of household and “women’s” work, as well as of craft labor (an indispensable tool of old artisan workshops), and a symbol of skillful women. “I turn the broom into a boat.”
After that, we opened an intervention in the permanent collection of the Maritime Museum Dubrovnik with 122 museum labels containing short biographies of sea heroines throughout history up to the present day.
About Captain Serena Melani, the press wrote in 2019: “More people have walked on the Moon than there are women commanding cruise ships. There are fewer than ten in the whole world, and one of them sets off on distant voyages from a Croatian address.”
Captain Serena Melani (45), an Italian married to Dubrovnik native Renato Bulat (52), has lived in Vela Luka since 2014, where she and her husband, a ship engineer, built a beautiful stone house in a hidden bay. “I am very proud and honored that they chose me to command the new ship, because not every captain experiences that, regardless of gender. I welcomed it after more than 20 years of sailing,” says the captain, born in the Tuscan port city of Livorno. She felt the irresistible call of distant seas and oceans early on, and at just 16 began sailing as a cadet on merchant ships in the Atlantic Ocean. But when she graduated from the Nautical Institute in her hometown in 1993, it was not easy to find a job in her profession. She had to wait five years before getting her first officer’s position on a tanker, where she was the only woman in the crew, and moreover worked for a year without pay. She accepted that discriminatory condition so as not to remain indefinitely ashore. “At that time nobody wanted a woman on board; I heard all sorts of crazy excuses why they didn’t want to hire me,” Serena recalls. “At the beginning of my career I was discriminated against just because I was a woman, sometimes even on board, though not all the time. But when I started this job, I knew what awaited me. To succeed in this profession you need a bit of humor and to laugh at those who oppress you. Even though it was sometimes very hard, I didn’t want to give up. I found the cure for all hardships in salt water: sweat, tears, and the sea, as Karen Blixen beautifully said.”
Thus, Croatian daughter‑in‑law Serena Melani entered maritime history as the first woman to command a completely new, just‑built cruise ship from day one. Captain Melani came from Italy, from overseeing the construction of the brand‑new cruise ship she would command from its very first day, in order to launch the small boat in honor of the lighthouse keeper from Daksa, Eudoksija Kustrić.
Eudoksija was a lighthouse keeper on the small Dubrovnik island of Daksa, tending the light in 1901. It was neither easy nor common to be a female lighthouse keeper, and Eudoksija surely had to face many challenges of her time. She came from the lighthouse‑keeping Kustrić family, which marked the first 30 years of the lighthouse’s operation. 150 years after the first light, and 121 years after our lighthouse keeper, the lighthouse shone again this year. It was customary for the lighthouse keeper to live at the lighthouse with his family, and the woman was capable of managing the lighthouse when the keeper was incapacitated, participating daily in its work. At a certain historical moment, lighthouse keepers’ wives succeeded in securing payment for their work, initially as assistants and later as independent lighthouse keepers.
*The information about the lighthouse keeper from Daksa was found in the book “Svjetionički libar mali” by Vedran Trgovčić
Matea Šabić Sabljić

Art Workshop Lazareti
Matea Šabić Sabljić
BRODI/ONA
Brooms to Boats
25.11 – 16.12.2022
Visual artist Matea Šabić Sabljić, aka BRODIONA, is a master of the shipyard. For many years she has quietly and independently been making small boats from objets trouvés – found and thus recycled materials, often discovered at markets (wooden boxes and similar). By coincidence, all of this takes place inland, in her Zagreb studio, whose barrel‑vaulted ceiling and compactness at times resemble a vessel. And although the sea is nowhere on the horizon for dozens of kilometers, its metaphorical force is everywhere, and the boats that this artist builds may one day set sail. They already have twice since 2021: launched from Split’s Matejuška and from the island of Silba. On December 10th, a Dubrovnik voyage is expected, from a harbor where ships built far away, mostly for tourism, usually depart these days.
Brodiona’s practice is dual – both socially and artistically engaged. It not only consciously provokes and revives the local maritime tradition of these regions – from the micro‑local shipyard to the shipbuilding industry – but also critically examines the social history tied to seafaring and shipbuilding. With her still peripheral (for all the above subjects), yet strong and focused activity, Matea Šabić Sabljić creates a glitch. Unlike in the digital sphere, here glitch is not considered an error but rather the opposite: a conscious expansion of a system, its correction, which artistic institutions such as ARL or cultural ones like the Maritime Museum resonantly support, thereby significantly strengthening it, (extra)systemically.
By using the tools of artistic and museological production and diffusion (spatial installation within the gallery context, launching happenings, inserting her own legends – intruders of sorts – into the permanent and professionally validated museum display), Šabić Sabljić opens space for invisible, oppressed, erased stories inserted into local and globally dominant historiographies of seafaring and shipbuilding, marine biology, oceanography, and ecology. She considers how this history might be rewritten differently – not through a hegemonic, Western‑centric, exploitative lens, but through an all‑embracing horizontal one. This is a large and bold demand for one person, but through her methodologies and manner of address she calls for broader, intersectional solidarity. Present here is a transgenerational dialogue, a polyphonic narrative of mimicries, transvestisms, breaking conservative frameworks, connecting where connective tissue was missing, making great leaps…
The artist often recounts one anecdote that set her on this great endeavor. Once, when she found herself in a shipyard to learn about boatbuilding firsthand, the master sent her to fetch a broom and clean the space, since it never even crossed his mind that she might truly be interested in building a boat. Hence the particularly strong and witty action she initiated ahead of the Dubrovnik exhibition, where she collected brooms that served to construct a new boat – locally specific, dedicated to the legendary Eudoksija Kustrić, lighthouse keeper from Daksa.
The broom’s iconography is often linked to domesticity, but also to witches, who not only testify
through more recent history to a real, extremely violent systemic persecution and social exclusion based on rumor and feudal hegemony, but, as Silvia Federici points out, also to their flight itself – paradoxically a liberating symbol, imbued with emancipatory connotations.
To take everything into one’s own hands. Brodiona’s motivation is strong, atypically focused for today’s moment of diminished attention, her knowledge transgenerational. While she denies forgetting, she repays the erased, and charges banalized symbols with new meaning.
Ivana Meštrov
Art Workshop Lazareti
Matea Šabić Sabljić
BRODI/ONA – Brooms to Boats
Exhibition Opening: 25.11.2022 at 19:30
Exhibition Duration: 25.11 – 16.12.2022
Working Hours: 11:00 – 18:00
Launching of the boat “Eudoksija Kustrić”
Godmother: Captain Serena Melani
10 December 2022 at 12:00, Posat
Intervention in the Permanent Display o
f the Maritime Museum Dubrovnik
By artist Matea Šabić Sabljić
From 10 December 2022


























